Portrait of an unidentified Woman 1694

This tiny portrait was made in the late 17th century by Pierre Huaud, using enamel on metal. Enamel work involves fusing powdered glass to a surface by firing, a process demanding great skill and precision. The intense, gem-like colors and smooth surface are characteristic of enamel. But it’s not just a pretty face; the miniature format speaks volumes. These were luxury items, personal and portable, made for intimate exchange among the elite. Think of it as the 17th-century equivalent of a profile picture, but one that required the labor of a highly trained artist. The detailed rendering of the woman’s features, her elaborate wig and fashionable dress, all point to a society obsessed with status and appearance. And although small, the amount of work that went into it makes it a significant object. We can thus appreciate how materials, making, and social context converge to give this miniature its enduring appeal, blurring any lines between portraiture, craft, and the economics of class.