Dimensions: support: 2780 x 4010 mm
Copyright: © Avis Newman | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is "Sensible Ellipse of Lost Origin" by Avis Newman. It's quite large, and the wispy lines and muted palette create a sense of something just out of reach. What do you see in this piece? Curator: I see a powerful exploration of memory and the fragmented nature of identity. The "lost origin" hints at a critique of fixed narratives, particularly around gender and race. Newman seems to be asking, how do dominant histories erase or distort lived experiences? Editor: So, it's not just about personal memory, but a larger cultural forgetting? Curator: Precisely. The ellipse, rather than a circle, suggests an incompleteness, a disruption. Perhaps a deliberate rejection of imposed structures. What do you make of the scale? Editor: It feels immersive, like you're stepping into a space of fractured narratives. I hadn't considered the political implications before. Thanks! Curator: These works invite us to challenge the stories we tell ourselves about who we are. Art can be a powerful tool for social change.
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http://www.tate.org.uk/art/artworks/newman-sensible-ellipse-of-lost-origin-t07166
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From the early 1980s Avis Newman has been associated with large mixed-media drawings on unstretched canvas, which have generally been pinned directly to the gallery walls for display. The images combine traces of recognisable elements, including human body parts, bird shapes and paleolithic symbols. The artist has described the title of this work as 'a thought concerning origination, the fundamentals of image making and the origins of memory. It was ironic in that origin is illusory, not actual or substantial. Retrieving it is an impossible desire'. Gallery label, September 2004