Gezicht op het Stalkheim hotel in het Nærøyfjord by Anonymous

Gezicht op het Stalkheim hotel in het Nærøyfjord 1891

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photography, albumen-print

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pictorialism

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landscape

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photography

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watercolor

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albumen-print

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realism

Dimensions: height 160 mm, width 215 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us, we have "Gezicht op het Stalkheim hotel in het Nærøyfjord", taken in 1891. It is an albumen print, a photograph showcasing a grand hotel nestled in a Norwegian fjord. What strikes you initially about it? Editor: The misty atmosphere is captivating; it softens the harsh landscape and the hotel seems precariously perched on the edge of nowhere, a stark contrast with its opulent architecture. Curator: The albumen process itself is significant. Think of the labor involved in preparing the egg whites, coating the paper, the long exposures... Each print becomes a unique artifact, carrying traces of the photographer's hand. Editor: And yet, there is a formality in the arrangement: the converging lines, the balance of light and shadow… it's meticulously structured, isn't it? How the hotel in the foreground directs your sight to the valley beyond, guiding your eye into the frame’s depths. Curator: It certainly showcases a romanticized view of the Nordic landscape. This would have been aimed towards an elite clientele, enticing them to visit such a remote location, a hotel built precisely for leisure and tourism. The hotel here embodies aspirations and capital. Editor: True, the grand architecture signals wealth, but it's also intriguing how the photo highlights the immensity of nature as a counterbalance; an awe-inspiring visual dance. Curator: The creation and circulation of such images supported a growing tourist industry in Norway. Understanding that wider framework helps to contextualize this photograph’s aesthetic value. Editor: Yes, looking at the overall structure –the subtle gradations of tone and the receding planes of depth, creates an incredibly refined experience. It pulls the viewer into its illusory space. Curator: Seeing it this way allows us to move beyond merely aesthetic judgements, and appreciate its rich complexity of social relations. Editor: In summary, a deeper dive into structure reveals that nature and man, work in a captivating dance here, even in what looks to be a photograph! Curator: Indeed, thank you for sharing your perspectives on this. It makes this photo far more than just a pretty picture.

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