Tete-a-Tete 1909

Curator: I find myself drawn to the quiet intimacy of this scene. It feels so warm and inviting. Editor: Absolutely. This is "Tete-a-Tete" painted by Vladimir Makovsky in 1909, now residing in the Tretyakov Gallery. Look closely at how Makovsky renders this domestic scene – the weight of those heavy skirts, the fine lace of the tablecloth... there’s an attention to material reality that is remarkable. Curator: The way the light catches the silver tea service and illuminates the wrinkles on their faces is extraordinary. But more than the objects, I’m curious about these women—their stories. Are they relatives, neighbors? What binds them? Editor: Considering the historical context of early 20th century Russia, it is really intriguing. These women’s lives, though seemingly ordinary, speak volumes about the lived experiences of a particular class and time. I am so drawn to that cute puppy wearing red. The very material presence of that puppy hints at complex questions about pet ownership and companion animals, even wealth, doesn't it? Curator: I hadn't considered that! And what about their garments? Notice the contrast between the dark, enveloping clothing of the woman on the left and the lighter attire of the woman on the right. What social implications are at play? What’s going on here between generations, social standings, even personal beliefs—all of which affect the mood? Editor: We also cannot oversee that his method utilizes Impressionistic touches in color handling as can be viewed, for example, in their face complexion. What are your thoughts about his making-of as a conscious choice for an apparently Realist painter like him? Curator: Good catch. Those swift strokes help give a dynamic feel to the piece and bring a contemporary and unique feeling. Makovsky clearly wanted to show not only who the women are, but to subtly invite people in for a moment. Editor: It makes me think about the accessibility of art and how art making decisions reflect values and the world.