Ontzet van Barcelona, penning geslagen ter ere van Karel III, koning van Spanje 1706

Curator: This object is a medal from 1706 commemorating the relief of Barcelona and honoring Charles III, King of Spain. It was created by Christian Wermuth. Editor: The patina and the texture of the metal are really speaking to me; the weight of history seems quite palpable. You can almost feel the material transformation it’s undergone. Curator: Absolutely, but let’s consider what this “relief” truly signifies. It’s crucial to frame it within the context of the War of the Spanish Succession, recognizing the implications of imperial power dynamics. What was it for Barcelona's people? Editor: Agreed. The context is essential, but looking at the process: the engraving and striking of this medal likely involved highly skilled artisans. I’m curious about their identities and their relationship to this representation of royal power. Also, the metal itself—where did it come from, who mined it, and what socio-economic networks made this medal possible? Curator: Yes, who was commissioned to do it, but focusing on its purpose: to solidify Charles’s claim to the Spanish throne, especially at a moment of deep instability, meant controlling the narratives surrounding it. Editor: I wonder if the metal has changed, because now it almost appears distressed—maybe this wasn't the intended meaning and over time through the work that time does on all material things. Also I am keen to reflect on the idea that even simple-seeming artworks can trace long material trails! Curator: Certainly time and display impact all objects. Yet for now it speaks of power through the king's image, coupled with its intended baroque style. Editor: Precisely! These details really amplify its historical impact. Curator: And contextualize its meaning in the world as it existed back then. Editor: Absolutely. It's also about the power of creation—metal transformed by human hands. Curator: It's fascinating how examining something small can reveal entire world views.