Solomon and the Queen of Sheba 1535

Hans Holbein the Younger likely made this painting using oil on panel, a technique that allowed for the incredibly fine details we see here. The smoothness of the paint application gives a sense of polish, befitting the subject matter – the biblical story of the Queen of Sheba’s visit to King Solomon. But what's really interesting is how Holbein uses the materiality of paint to create an effect of opulence. Look at the rendering of textiles, the crispness of architectural details, all achieved with meticulous brushwork. The very act of painting becomes a demonstration of skill, a kind of labor that mirrors the implied wealth and sophistication of the scene. In Holbein’s time, the ability to command such artistry was a mark of power. Painting wasn't just about representation; it was about material display. It served to reinforce social hierarchies, reminding viewers of the artist’s talent and the patron's capacity to commission such a complex artwork. This piece asks us to think about how artistic skill, materials, and social context are deeply intertwined.