St. Catherine of Siena with The Infant Jesus (recto); Warrior with Dead Lion? (verso) 1600 - 1700

This pen and brown ink drawing depicts Saint Catherine of Siena with the Infant Jesus. Though the artist is unknown, the visual language employed speaks volumes about artistic and religious conventions. Consider the role of the Catholic Church in shaping artistic patronage and subject matter. How might the image of Saint Catherine, a revered figure known for her mysticism and devotion, function within the context of religious art? The Italian Renaissance saw a flourishing of religious imagery, and understanding the dynamics between artists, patrons, and the Church is key. Was this drawing made for devotional purposes, as a study for a larger work, or something else entirely? By examining the historical and institutional contexts surrounding this drawing, we gain insight into the cultural values and beliefs of its time. Researching the lives and legacies of female saints, as well as the artistic practices of the period, deepens our appreciation for the complex interplay between art, religion, and society.