German Joust of Peace by Anonymous

German Joust of Peace c. 1512 - 1515

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drawing, coloured-pencil

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drawing

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coloured-pencil

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medieval

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water colours

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figuration

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coloured pencil

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history-painting

Dimensions sheet: 34.1 × 26 cm (13 7/16 × 10 1/4 in.)

Curator: This coloured pencil drawing, circa 1512 to 1515, is titled "German Joust of Peace". Immediately striking, isn't it? Editor: It certainly is... chaotic! Two knights in full armour mid-joust, one spectacularly unhorsed. There's a dynamic sense of disarray, amplified by the almost pastel-like delicacy of the colour palette. The pale, thin medium feels rather contrary to the heavy subject of armored medieval knights. Curator: Exactly, let's unpack that contradiction! Jousts, though violent, were performative displays of power, deeply woven into the political fabric of the time. These events showcased not just martial skill but wealth and social status. Think about how armor itself was a high-cost luxury, requiring skilled craftsmanship. Editor: And consider the materials employed—metal, leather, textiles all painstakingly fashioned and embellished. The lances too, aren’t simple sticks; they are tools of impact, objects that are constructed in specific shapes for particular purposes. How were these pigments manufactured? How were they applied to this page? It offers insight into artistic labor and material constraints. Curator: We also need to examine this "Peace" angle. Jousts, in many ways, were ritualized, symbolic stand-ins for actual warfare, almost like diplomacy through combat. The theatrical element is paramount here. Are we supposed to see a representation of diplomacy gone wrong in this depiction of utter disruption, or is this artistic license? Also, whose "peace" are we referring to, and who gets to partake in this spectacle? Editor: Or maybe "peace" here is a misnomer entirely. Could it be understood as something manufactured for the benefit of specific spectators? What sort of productive energy could derive from violent encounters, even within these regulated conditions? The remnants of pencil or colour on this paper are so minimal, as well, which suggests its purpose. Curator: Interesting food for thought about who benefitted from these performances and this art! This seemingly simple drawing offers layers of socio-political questions about power, display, and the controlled chaos of peace. Editor: And for me, thinking about how materials can construct meaning leads me to thinking further on the social contexts that produce those meanings.

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