Pair of pomade pots (part of a toilet service) 1679 - 1689

These silver pomade pots were crafted by Thomas Jenkins around the turn of the 18th century. The eye is drawn to their symmetrical form, enhanced by the detailed floral engravings that wrap around each vessel. The octagonal lids, each topped with an avian figure, introduce a geometric contrast to the organic motifs below, creating a balanced yet dynamic composition. Consider how Jenkins employs the material itself. The reflective surface of the silver captures light and shadow, emphasizing the crispness of the engraved lines and the precision of the vessel's shape. These objects invite us to consider the interplay between utility and artistry. The contrast of angular lids with the rounded forms creates a semiotic dialogue, maybe reflecting the era’s shift from rigid courtly customs to a more nuanced expression of personal style. The floral engravings serve as codes, referencing both nature and cultivated beauty, speaking to a society that valued both. It’s not just their function, but their presence as symbols of a changing world that truly intrigues.