drawing, print, engraving
drawing
16_19th-century
dutch-golden-age
historical photography
cityscape
engraving
realism
Dimensions height 224 mm, width 245 mm
Théodore Fourmois created this print of the Willemspoort in Amsterdam using etching and burin. Built in the early 19th century, the Willemspoort, or William’s Gate, served as a grand entrance to the city, embodying the ambition of Amsterdam as a center of trade and culture. But who was really welcome in this gateway? The architecture echoes classical ideals of power and order, yet the figures populating the scene represent various social classes, hinting at the complexities within Dutch society. The gate becomes a stage upon which the drama of class, access, and identity plays out. Fourmois captures a moment in time but also raises questions about who belongs and who is excluded from the promise of progress. The reality is far more intricate, shaped by social standing, economic circumstances, and cultural norms. This work compels us to consider whose stories are told and whose are left out of the grand narratives of history.
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