Scabiosa atropurpurea (enkeblomst) by Hans Simon Holtzbecker

Scabiosa atropurpurea (enkeblomst) 1649 - 1659

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drawing, coloured-pencil, gouache

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drawing

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coloured-pencil

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gouache

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11_renaissance

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coloured pencil

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botanical drawing

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northern-renaissance

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botanical art

Dimensions 505 mm (height) x 385 mm (width) (bladmaal)

Curator: What a beautifully rendered flower! Editor: It's delicate, isn't it? The way the red-purple pops against the pale background…there's a feeling of poised stillness about it. Curator: Indeed. This is "Scabiosa atropurpurea", or enkeblomst, by Hans Simon Holtzbecker. He created this between 1649 and 1659 using drawing, colored pencil, and gouache. We’re fortunate to have it here at the SMK. Editor: "Scabiosa," how curious. That name alone evokes a complex image, almost unsettling, yet the rendering is so meticulously beautiful. Curator: Well, names are never arbitrary. Botanical illustration served vital roles in disseminating knowledge and perhaps subtly influencing notions of nature and medicine in society during the Renaissance. These detailed studies were not just art; they served scientific and practical purposes. Editor: That grounding root system too seems symbolically crucial to ground us in an idea. Those thin roots contrast beautifully against the strong stems holding the blossoms. Do you feel the work possesses something archetypal beyond a simple botanical record? The crimson of the flowers evokes deeper sensations of vitality and lifeblood. Curator: I am inclined to agree! One interpretation could focus on how these images circulated. Were they made available primarily to elite audiences interested in science and garden design, subtly reinforcing class boundaries and displays of status? Or were such detailed renderings considered objects of beauty, their value derived solely from the pleasure they gave viewers? The tension there is potent. Editor: Precisely. Holtzbecker has captured the cultural memory and continuity in a striking, aesthetically driven illustration. He transforms the flower into something evocative, an artifact. It whispers of the profound connection between humans, emotions, and natural elements, resonating across cultures. Curator: Considering these complex functions, looking at this study brings to light how images gain importance, serving not merely as artistic objects but reflecting and constructing cultural meanings across generations. Editor: Right, it seems in just one glance that he’s given an important view. What depth of symbolic possibility—Holtzbecker makes me ponder humanity through one flower.

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