Young Woman with a Bowl, Seated Outdoors by Johann Justin Preissler

Young Woman with a Bowl, Seated Outdoors 1733

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drawing, charcoal

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portrait

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drawing

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charcoal drawing

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portrait drawing

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genre-painting

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charcoal

Dimensions: overall: 46.3 x 62.9 cm (18 1/4 x 24 3/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have Johann Justin Preissler’s “Young Woman with a Bowl, Seated Outdoors,” a drawing rendered in charcoal around 1733. What are your first thoughts on this image? Editor: Immediately, I’m struck by its stillness. There’s a calm resignation in her posture and the muted tones evoke a sense of melancholy. What’s your take? Curator: Considering Preissler’s time, portraits were increasingly influenced by theatrical conventions and idealized depictions. Do you see hints of those trends here? The theatrical gesture with the bowl, for example? Editor: Precisely! The bowl aloft could represent offering or acceptance – depending on what it’s filled with, symbolically. It is classical but the red and rose colours could hint at new ideas in artistic styles too. Is there more to discover in those color choices, I wonder? Curator: Definitely, and look at the setting. While the title indicates outdoors, the background is quite vague. It’s more about creating a mood, less about accurate setting detail. Genre painting can function as societal critique, sometimes subtly questioning aristocratic ideals or expectations of women. Editor: It’s interesting you point that out. That rather plain bowl – it almost appears empty – in conjunction with her expression hints at longing. Or perhaps the simplicity is intended as commentary, contrasting with more opulent trends in artwork. Her raised hand might be signaling, waiting. Curator: Could be a subtle commentary on virtue in art during the period as a genre subject, perhaps suggesting that simple elegance possesses a beauty absent from overly decorated settings and persons often pictured in Baroque art? Editor: Yes, she exudes a gentle patience but one bordering on resignation. This makes one curious. What is she offering? What's she waiting for? This blending of realism with theatricality creates an atmosphere heavy with narrative possibility. Curator: Ultimately, this work really opens avenues for discussion concerning gender representation and the prevailing artistic trends in the eighteenth century, showing the push-and-pull dynamics inherent in the society of the time. Editor: Absolutely, and examining the symbology helps uncover that layer of introspection in what at first glance appears as merely an upper class pose. Food for thought.

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