Congo 1928

Aaron Douglas made this gouache on board called 'Congo', and just look at the layering and transparency of shapes, figures and shadows! Douglas uses a monochrome palette with multiple semi-transparent layers to create depth and movement in the piece. It's a real masterclass in how much you can do with so little. I find myself drawn to the dynamism that this builds. The figures overlap, creating a sense of rhythm and continuity. The way the light filters through the layers of paint adds a luminous quality to the work. It's like he's capturing a fleeting moment, a memory of a dance or a ritual. The layering of shapes really speaks to the complex and multi-layered nature of identity and history. It makes me think of Jacob Lawrence, another artist who explored similar themes of black experience and identity. Like Lawrence, Douglas uses simplified forms and bold compositions to convey powerful narratives. Ultimately this reminds us that art is an ongoing conversation. It's about building on the ideas of those who came before us and pushing the boundaries of what's possible.