Chess Piece: Bishop c. 19th century

Curator: This is "Chess Piece: Bishop," crafted around the 19th century and attributed to the Wedgwood Manufactory. It's currently held in the collection of The Art Institute of Chicago. Editor: My immediate impression is of serenity. The soft blue hue, almost ethereal, lends it a delicate, spiritual air. The simple shape is soothing. Curator: The composition adheres to clean lines, primarily expressed through the contours of the figure's robe. Notice the minimalist detailing, devoid of any flamboyant decoration. This draws your attention directly to the purity of the form itself. Editor: It's interesting to consider this Bishop within its historical context. Wedgwood, known for their jasperware, were deeply involved in abolitionist movements. While seemingly innocuous, does the bishop hold some kind of power that can be challenged by another identity in the chess game. How might these figurines represent or challenge Victorian society structures? Curator: While I acknowledge those broader themes may resonate, I am primarily interested in how the artist has handled texture. See the almost imperceptible drape of the robe and the matte finish of the ceramic. Editor: Absolutely, I understand. But looking at this figure, cloaked and hooded, one can't help but think about how different expressions of identity have been concealed. Chess itself as a microcosm of a societal power dynamic. This isn’t just about form and surface; it's a statement—subtle, perhaps, but nonetheless present. Curator: I would agree the scale certainly lends itself to intimacy, prompting a close, focused observation of surface and subtle details. Thank you, this was fascinating. Editor: Indeed, seeing it through a lens of structure and design reveals how the past informs contemporary dialogues. Thank you.