This is a reproduction of a drawing of a family tree, made by an anonymous artist. It traces the lineage from Walram I, Lord of Valkenburg, to Jan I, Count of Nassau-Dillenburg. Family trees like this weren't just about showing who was related to whom. In the context of the Low Countries, they were powerful statements of identity and legitimacy. During a time of shifting political landscapes, demonstrating noble ancestry could be crucial for maintaining or advancing one's position. The shields represent different familial lines, and the genealogy asserts a specific social hierarchy. Such images served as a visual record of power, often commissioned by the families themselves. To fully understand this piece, we might explore the archives of noble families in the region. We might also look to studies of heraldry and genealogical practices. It is in this way, we can start to unpack the social and institutional contexts of art.