Miniature daybed (part of a set) by George Manjoy

Miniature daybed (part of a set) 1690 - 1691

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carving, silver, metal, sculpture

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carving

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silver

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baroque

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metal

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form

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sculpture

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decorative-art

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miniature

Dimensions: 2 5/8 × 4 1/2 × 1 1/2 in. (6.7 × 11.4 × 3.8 cm)

Copyright: Public Domain

Curator: Here we have a striking piece: a miniature daybed, part of a larger set, crafted between 1690 and 1691. The meticulous work in silver exemplifies the Baroque style, currently residing at The Met. Editor: It’s bewitching. Even in its static form, the miniature radiates a captivating dreaminess. The color—or lack thereof, this shimmering monochrome—gives it an ethereal quality. Curator: Its creation surely involved master carvers; each detail points to high skill, indicating its origins were within privileged artisanal circles. Editor: Absolutely. Focus on the woven pattern meant to represent the seating surface. This level of refinement pulls me into close visual analysis, prompting me to think about the intention behind such exacting labor at this reduced scale. The piece challenges our perceptions of functionality and luxury. Curator: The object serves more than aesthetic value; it embodies the intersection of wealth and skilled labor. These weren’t mere toys; they demonstrated both status and collecting passions during the late Baroque. These were showpieces meant to convey very specific cultural messages related to opulence and social standing. Editor: And what do you make of the overall form and dimensions in relation to traditional daybeds? How did makers handle questions of proportion and practicality in such an artistic undertaking? The shape itself feels almost allegorical. Curator: The question of function blurs entirely. While recalling functional furniture, its worth rested instead on skillful manufacture, conspicuous materials, and intricate assembly for elite enjoyment. The silver employed, and the act of meticulously forming something so impractical and visually elaborate, broadcast messages about wealth through consumption. Editor: Examining this daybed lets us dissect not just its visible appearance, but question how the form manipulates symbols to express ideas about social class, or aesthetic concepts pertinent to the time it was conceived. It's a material encapsulation of societal hierarchy and status symbols. Curator: Precisely. We’re left contemplating the narratives embedded within such a luxurious piece, recognizing that materiality and context give profound depth, which goes far beyond surface beauty. Editor: It reframes ideas of what we deem valuable and worthy of such devoted effort. Looking closely at the design evokes powerful meditations about the culture that created and treasured it.

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