print, intaglio, engraving
portrait
intaglio
figuration
history-painting
engraving
Antoine Jacquard created this engraving, "The Adoration of the Shepherds," sometime between 1620 and 1650. Religious imagery like this was common throughout Europe during this period and was a powerful way to reinforce religious doctrine and social hierarchies. In this image, we see the infant Jesus surrounded by Mary, Joseph, shepherds, and angels. The figures are arranged in a carefully balanced composition, emphasizing the divinity of Christ and the importance of the Church. Jacquard's technical skill as an engraver allowed him to capture intricate details and create a sense of depth and texture. The piece would have been widely circulated. Understanding Jacquard's work requires considering the social and political context of 17th-century Europe, specifically the role of the Church and the rise of print culture. Art historians rely on period documents to better understand such religious, political, and economic forces that influenced the creation and reception of this image.
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