Piazza San Bernardo te Rome 1747 - 1761

Editor: Here we have Giuseppe Vasi's "Piazza San Bernardo te Rome," an engraving from between 1747 and 1761. It’s a bustling cityscape, rendered with incredibly fine lines. I’m struck by the formality of the architecture, yet the scene feels lively because of the people scattered throughout. What social dynamics might be at play in a public space like this during that time? Curator: Absolutely. Vasi’s depiction invites us to consider the piazza not merely as urban scenery, but as a stage for social interaction and the assertion of power. Note the careful delineation between figures—their clothing, their groupings, their activities. Consider how the Church, represented through these imposing Baroque facades, controlled social behaviour in Rome. What norms do you observe reflected in their placement within this space? Editor: I notice some figures seem to be congregating and gossiping, while others are purposefully walking. The church’s physical presence feels imposing. I guess they all adhered to very particular rules, within the view of religious buildings! Curator: Precisely! It wasn’t merely about physical space; the Church exerted influence through architecture. The control of public space extended into many aspects of everyday Roman life, from dress codes and conduct to approved routes and locations for vendors and merchants. Editor: So the Piazza wasn’t just a pretty backdrop; it was an active player in maintaining social order. The people and the church’s architecture both define and activate the location! I see now. Curator: Exactly. By understanding the context, we can appreciate how a seemingly simple cityscape unveils complex power dynamics at play in 18th-century Rome. Editor: It certainly brings a fresh perspective to looking at the cityscape! Thanks.