Cornelis van Poelenburgh created this portrait of a man in black and white chalk on blue paper. This drawing invites us to consider the cultural and social performance of identity in the 17th and 18th centuries. During this period, powdered wigs, like the elaborate one seen here, were a marker of status and belonging among the European elite. The wig, the drapery and the suggestion of armor underneath, all speak to the sitter’s position in society – likely someone of nobility or high rank. Yet the work transcends mere representation. Poelenburgh’s delicate rendering captures a sense of individual presence, a unique human being beneath the constructed symbols of power. Portraits like this served not just as records of appearance, but as statements of self, carefully constructed for public consumption. How might we see this portrait as a negotiation between personal identity and societal expectations?