Descent from the Cross c. 1520 - 1523

Editor: This is Ugo da Carpi's "Descent from the Cross," housed at the Harvard Art Museums. The composition, all diagonals and straining figures, is incredibly poignant. What stands out to you in this piece? Curator: For me, it’s the sheer vulnerability laid bare. Look at how Carpi uses the chiaroscuro to dramatize the scene. The grief isn't just painted; it's etched into the light and shadow, wouldn't you agree? Editor: Yes, absolutely. It's like he's carving emotion itself. Curator: Exactly! Each figure seems caught in a silent scream. Do you notice how your eye never rests? Editor: It’s unsettling, but intentionally so, I think. It really does make you feel present in that moment. Curator: Precisely. An artwork meant not just to be seen, but felt. Editor: Well, I certainly won't forget this one anytime soon.