David Blondel 1650

Here we see Robert Nanteuil’s engraved portrait of David Blondel from 1660. The composition is dominated by an oval frame which encircles Blondel, whose gaze meets ours directly. This simple form contains a complexity of textures achieved through the fine lines of the engraving. Nanteuil masterfully uses the medium to create a sense of depth and presence, from the intricate details of Blondel’s garments to the subtle gradations of tone in his face. Semiotically, the oval shape is interesting as it evokes ideas of Renaissance portraiture. The symmetrical arrangement of text and heraldic symbols works with the central figure to create a sense of order. The sharp lines forming the inscription contrast with the softer shading of Blondel's face, drawing our attention to the symbolic function of language and heraldry within the composition. The portrait becomes more than a likeness; it is a carefully constructed signifier of status and intellect. The work invites ongoing readings of its form and cultural context.