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Ambrogio Bergognone painted this Saint Jerome, his gaunt figure set against a wilderness, to evoke themes of mortality and devotion. Jerome, a Doctor of the Church, is identified by his attribute: the lion, a symbol of his scholarship and the legend of his taming a wild beast. The skull at Jerome's feet is not merely a memento mori, but a symbol with deep roots. Consider its presence in ancient Roman art, where skulls served as reminders of life's transience. This motif resurfaces here, infused with Christian significance, urging reflection on eternal life. Note the stone in Jerome’s hand, with which he beats his chest in repentance, a motif echoing self-flagellation practices found in various religious traditions. It illustrates a universal yearning for redemption. These symbols engage viewers on a subconscious level. Their cyclical reappearance serves as a testament to our shared cultural memory, reminding us that the past is always present.
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