Josef (Jesu far) 1606 - 1688

This is Joachim von Sandrart’s drawing of Joseph, made in the 17th century. Here, Joseph, the earthly father of Christ, is portrayed holding a carpenter's square, a symbol deeply entwined with his trade and, allegorically, with his role as a builder of the Holy Family. The square, an emblem of precision and moral rectitude, echoes through artistic history. Consider its earlier appearances in depictions of geometric philosophers. Yet, observe its transformation here—it is not merely an instrument, but a profound symbol of divine order manifested through human labor. This symbol resonates with collective memory, subconsciously evoking the sanctity of work. The stoic yet gentle portrayal of Joseph, draped in simple cloth, engages viewers on a deep, almost primal level. The image has the psychological effect of peace and safety. This isn't merely linear progression; it's a cyclical return. The carpenter's square, once a tool for physical construction, evolves into an emblem of spiritual architecture, resurfacing in various guises across time, each iteration adding new layers of meaning to our understanding of faith, family, and the sacred nature of everyday labor.