De nacht (Nox) by Giovanni Girolamo Frezza

De nacht (Nox) 1704

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engraving

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allegory

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baroque

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classical-realism

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figuration

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line

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history-painting

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engraving

Dimensions height 412 mm, width 312 mm

Curator: This engraving from 1704 is entitled "Nox," or "De nacht" in Dutch, made by Giovanni Girolamo Frezza, after a design by Francesco Albani. It’s an allegorical image representing night. What strikes you most about it? Editor: The cool, muted palette really amplifies the feeling of quietude and sleepiness. The very fine lines, I can imagine the engraver must have worked for days just on the wings alone. Curator: Yes, the precision is striking. It's not just visual craftsmanship; the imagery itself resonates with classical symbolism. We have the winged figure of Night, holding twins, Sleep and Death, beneath a canopy of stars, and the owl is a key emblem of nocturnal wisdom. Editor: You know, focusing on the physical process of engraving brings something into sharper focus for me, which is that there had to be such rigorous planning that comes into executing the piece to then multiply in copies. What social networks was this being circulated among? That level of distribution had a big impact! Curator: Absolutely. Prints like these were integral to circulating ideas and aesthetics during the Baroque period, enabling wider audiences to access mythological narratives and complex allegories that otherwise would remain confined to elite circles. Do you see the smaller image enclosed beneath the allegorical figure of Night? Editor: Yes, and is that an allegory contained *within* the allegory? Is this one referencing sleep? This doubling effect must suggest this represents not only literal darkness, but the unknown and secrets that reside there. Curator: Intriguing! Think too about the robes on the figure of Night— they're rendered so meticulously they evoke the folds and drapes found in classical sculptures. The artist is consciously linking this personification of night to enduring archetypes. What feeling emanates from it for you? Editor: Looking at it from the point of view of sheer physical effort—from the artist’s labor to the final prints that circulated—a new narrative emerges of exchange, artistic influence, and the consumption of imagery in that era. That shifts my perception from a feeling of quietness and order to an almost vibrating picture of commerce, skill, and artistry! Curator: Precisely! A still and restful image indeed conveys the dynamics and movements through which meaning itself traveled during this era. Thank you, looking at "Nox" together highlights for me the enduring power of images as both reflections of our culture and shapers of its understanding.

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