Marriage A-la-Mode, Plate I by Gérard Jean-Baptiste Scotin

Marriage A-la-Mode, Plate I 1745

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drawing, print, engraving

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portrait

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drawing

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print

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group-portraits

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genre-painting

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history-painting

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engraving

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rococo

Dimensions: Sheet: 15 3/16 x 18 5/16 in. (38.5 x 46.5 cm)

Copyright: Public Domain

Curator: Welcome. We’re looking at the first plate from William Hogarth's series, "Marriage A-la-Mode," created in 1745. This engraving, worked on by Gérard Jean-Baptiste Scotin, offers a sharp commentary on 18th-century aristocratic society. Editor: What strikes me immediately is the overwhelming sense of disquiet despite the luxurious setting. There's a distinct visual tension, isn't there? It's meticulously rendered but feels…off. Curator: Indeed. Note the composition—the arrangement of figures is deliberate. The Earl, stiffly posed, contrasts sharply with the son's more languid posture. What could this opposition suggest? Editor: I see a clash of generations, absolutely. The older man represents established, perhaps decaying, power. While the son…his clothing is more current, yet there's an air of aimlessness. Note, too, the prominence of the family tree. Its roots run deep, its present appears, well, knotted. And these artworks on the wall, revealing debauchery and questionable morals. Curator: Precisely. Hogarth, here, uses the iconography of wealth against itself. The trappings of aristocracy become symbols of moral corruption. Consider the contracts being pored over: marriage as transaction. The entire arrangement reflects not an organic growth but a constructed spectacle. Editor: This spectacle is unsettling. The young bride’s distracted gaze, the lawyer whispering—every element conveys deception. Even the poor, neglected dog mirrors this overall mood. It’s an indictment, presented through meticulous detail and refined line work. Hogarth clearly had something sharp to say about this societal stratum. Curator: Indeed, a devastatingly insightful observation. We have considered just one plate here, which serves as an efficient opening. Its careful formal articulation conveys not merely social commentary but an enduring depiction of human folly. Editor: Absolutely. It’s a visual language still relevant today. Each symbol and interaction whispers of power, manipulation, and the hollow reality behind gilded façades. Powerful!

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