Picture of a Parade of the Five Nations 1861

This is "Picture of a Parade of the Five Nations," a woodblock print made in Japan by Utagawa Sadahide in the 19th century. It's a vibrant example of ukiyo-e, a genre deeply rooted in the meticulous carving of woodblocks and layering of inks on paper. Consider the labor involved: each color requires a separate block, demanding precise registration. Look closely and you’ll see delicate lines and subtle gradations, all achieved through skillful carving and printing. The materiality of the print – the texture of the paper, the vibrancy of the inks – is key to its appeal. This image isn't just a pretty picture. It depicts foreigners in Yokohama, a port opened to international trade. The artist is celebrating Japan’s engagement with the West, even as he marvels at the newcomers. Woodblock prints like this one were produced for a growing urban audience, keen to learn about the wider world. This artwork exemplifies how prints moved away from solely depicting traditional subjects, showing us the fascinating intersection of craft, commerce, and cultural exchange.