Saint Sergius' labours (central part of the triptych) 1896

Mikhail Nesterov painted ‘Saint Sergius' labours (central part of the triptych)’ during a period of national self-discovery in Russia. Here, Nesterov rejects the traditional, opulent depictions of saints. Instead, he situates Saint Sergius within the physical labor of building a monastery. Nesterov was part of a broader movement to connect with the spirituality of the Russian people, showing Sergius engaged in manual labor, reflecting an idealized image of Russian peasantry. Notice how Sergius, despite his halo, is depicted as an active member of the community, his humble clothing and engaged posture are in stark contrast to the traditional presentation of religious figures. Nesterov emphasizes the dignity of labor. This depiction humanizes the Saint, and creates a relatable figure deeply connected to the Russian landscape and its people. The painting suggests a search for spiritual authenticity through simplicity and community.