Portret van Jacqueline E. van der Waals by F.D. van Rosmalen jr.

Portret van Jacqueline E. van der Waals 1876 - 1891

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photography, gelatin-silver-print

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portrait

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photography

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framed image

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gelatin-silver-print

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19th century

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academic-art

Dimensions height 104 mm, width 64 mm

Curator: Gazing at this gelatin silver print, I’m immediately struck by the stillness, the soft sepia tones... it feels like a whisper from another era. Editor: Indeed. This is "Portret van Jacqueline E. van der Waals," created sometime between 1876 and 1891 by F.D. van Rosmalen jr. Curator: There’s an almost haunting quality to the woman’s expression. So contained, so… proper. I find myself wondering what she was thinking, what secrets she held. Editor: We must remember the constraints placed on women's self-representation during that period. Studio photography offered a controlled environment, but it also reflected societal expectations of femininity. Curator: Absolutely. Still, I can’t help but project a narrative onto her. Her posture, her reserved gaze… it suggests a yearning for something more, maybe? Perhaps my projection reveals more about myself. Editor: Consider how the formality inherent in the medium shapes our interpretation. This wasn't a candid shot; it was a carefully constructed image. Look at the composition – the precise framing, the subdued lighting – every element contributes to a particular reading of her identity. Curator: You're right. And yet, there's a subtle resistance in her eyes, a flicker of… defiance, even? Or am I simply romanticizing a historical figure? It's amazing how one still photograph can generate such internal conversation. Editor: Let us also consider that the artist of this photograph was credited only with his initials, while he immortalizes the complete name of the model; a curious and probably significant historical note about gender roles, wouldn’t you agree? The interplay of photography, social history, and individual agency provides endless avenues for interpretation. Curator: Beautifully put. Perhaps that's the real magic of art—to act as a mirror, reflecting not just the subject but our own souls back at us. Editor: Ultimately, Jacqueline’s story is lost to time; the image then remains with us as a testament of the history embedded in photographs, the hidden forces shaping women's portrayal in the public sphere.

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