Vlucht van Jacobus Frans Eduard, prins van Wales naar Frankrijk 1688

Editor: This artwork is entitled "Vlucht van Jacobus Frans Eduard, prins van Wales naar Frankrijk," created in 1688, it's currently at the Rijksmuseum, and the medium includes metal, relief, sculpture and engraving. Looking at the two sides, it seems to be a coin. I notice that on one side it depicts two women holding hands. What can you tell me about this piece? Curator: From a formalist perspective, consider first the symmetry and balance achieved within this circular format. Observe the clear division of the piece into distinct planes of depth, achieved through careful manipulation of relief. The two figures on the obverse side, likely allegorical, are meticulously detailed. What do you notice about their composition within the picture plane? Editor: I see how their garments create these elegant, flowing lines and that the composition draws the eye directly to where their hands meet. But why two figures and the strange iconography on both sides of the artwork? Curator: Precisely. Focus on the shapes, lines, and textures first. Note the deliberate use of curvilinear forms in the drapery versus the harder geometric forms of the shield and helmet. And on the reverse, the eagle’s wings mimic and then depart from the perfect regularity of the coin’s circumference, drawing us into the symbolism. We should try to deconstruct it using structuralism. What do you see? Editor: The composition, lines, symmetry, and choice of medium certainly elevates it beyond just historical documentation, highlighting deeper political and symbolic ideas about the period. Thanks! Curator: Yes, by focusing on the intrinsic aesthetic properties, we unlock its meaning. Thank you.