Nihonbashi; Clearing Weather after Snow 1856

Editor: Here we have Hiroshige's woodblock print, "Nihonbashi; Clearing Weather after Snow," created in 1856. What strikes me most is the vibrant blue of the water contrasting with the muted tones of the snow-covered rooftops. How do you interpret this work, with its blend of serene landscape and bustling city life? Curator: You know, looking at this, I'm reminded of a haiku – capturing a fleeting moment with such incredible detail. Notice how the snow, a symbol of stillness and purity, juxtaposes with the activity on the bridge and boats. It's as if Hiroshige is freezing time, but not the everyday grind! I find the pink sky to be a very sensitive artistic decision to brighten what could have been a bleak scenery! Don't you think that's intriguing, or is it just me lost in the pretty colours again? Editor: No, I definitely see what you mean! The pink sky adds a hopeful touch. But, is there a reason why it is framed in this way, cutting off some portions from view? Curator: That is an excellent question! To be honest, you are right to point that out: Hiroshige seems to have an "urge" to crop reality, doesn't he? That artistic framing forces you, me, all of us, to truly ponder our relationship with space and focus. Is this a view that feels familiar and "close" for people in that century and country? Editor: It is really fascinating to think about how such an old print can feel both peaceful and dynamic at the same time. Thank you for illuminating the special techniques used by the artist in this art work. Curator: My pleasure! These images and dialogues enrich the way we "see" the world and appreciate these timeless treasures from Ukiyo-e masters.