Zwei Amoretten auf einem Delphin reitend 

Guido Cagnacci sketched "Two Amoretti Riding a Dolphin" with red chalk, which now resides at the Städel Museum. The drawing captures two cherubic figures playfully perched on a dolphin, all rendered in soft, warm tones of red. The composition emphasizes the roundness and plumpness of the figures, which contrasts with the sketchiness of the dolphin and the swirling water. Notice the linear quality of Cagnacci's strokes. They define form and movement but also leave much to the imagination. The cross-hatching adds depth, yet the sketch maintains an airy, unfinished quality. This technique reflects a Baroque interest in dynamic movement and emotion, achieved through visual suggestion rather than precise detail. The use of red chalk enhances the sensuality of the figures, while the open composition invites us to ponder the themes of love and freedom. The drawing can be seen as an exploration of form, movement, and the interplay between the finished and unfinished, which remains open to interpretation and appreciation.