Hoi-How, the Proposed New Treaty Port, Island of Hainan c. 1868
print, photography, albumen-print
landscape
photography
orientalism
monochrome photography
albumen-print
monochrome
Dimensions 7.1 × 30.5 cm (image); 35.1 × 47.1 cm (album page)
John Thomson captured this albumen silver print, "Hoi-How, the Proposed New Treaty Port, Island of Hainan," presenting a seemingly placid harbor scene. Yet, these fortified structures framing the tranquil waters evoke the long shadow of colonial ambition. These fortresses, symbols of power, speak to the deeply human impulse to control and dominate. One is reminded of similar structures throughout history, from medieval European castles to colonial outposts. The image invites a comparison to Piranesi's architectural fantasies, where the weight of stone conveys both grandeur and oppression. The emotional resonance here lies in the silent tension between the serene landscape and the looming presence of human intervention. This dichotomy engages our subconscious awareness of the cyclical nature of power, its rise and fall, and the indelible marks it leaves on the world. This photograph serves as a potent reminder of how these symbols of control resurface, evolve, and take on new meanings across different historical contexts.
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