Hemelvaart van Maria 1547 - 1612

Philips Galle created this engraving, "The Assumption of Mary," sometime between 1585 and 1612. During this period, the Catholic Church was actively seeking to reaffirm its authority amidst the rise of Protestantism. Galle's work should be understood in this context of the Counter-Reformation. Here, we see Mary ascending to heaven surrounded by angels. Below her, the apostles gather around her empty tomb, a scene meant to inspire awe and reverence. Yet, depictions like these were also tools in a larger ideological battle. By glorifying Mary, the Church sought to emphasize her role as intercessor and queen of heaven, a direct challenge to Protestant theologies. There is an undeniable emotional power in Galle’s work. The radiant light, the upward movement, and the expressions of wonder on the faces of the apostles invite viewers to feel the transcendent nature of the event. This engraving reflects the intense religious and political struggles of its time, while also resonating with personal feelings of faith and devotion.