Twee scharren op het strand by Albert Flamen

Twee scharren op het strand 1664

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print, etching

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dutch-golden-age

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print

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etching

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landscape

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line

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realism

Dimensions height 106 mm, width 179 mm

Curator: Today, we’re examining Albert Flamen’s “Twee scharren op het strand,” or "Two Flounders on the Beach," an etching from 1664. Editor: They are incredibly still, almost unsettlingly so. The detailed scales create an amazing, almost tactile quality. But, tell me, why are we confronted with these flounders? Curator: The appeal of this print lies, perhaps, in its masterful line work. The use of etching to depict the textures—the scales of the fish, the roughness of the sand, the very fiber of the net—demonstrates a refined command over the medium, does it not? Editor: It does. I am more compelled by the materiality though. These are not generic representations of fish, but particular specimens of labour, removed from the sea, prepared perhaps for market. It is really an art reflecting labour and everyday life, presented for consumption and reflection. The etching, itself, the metal, ink, and press all reinforce this act of reproduction, consumption, and social visibility of labour. Curator: Certainly, that perspective reveals the work's layered complexity. The still life arrangement foregrounds the bounty of the sea while also quietly underscoring the act of capture. Structurally, the composition plays with depth, juxtaposing the foreground's detailed realism with the hazy, distant boats, framing a wider narrative, or mood of human presence and impact on nature. Editor: Impact, exactly. The presence of the net itself, almost carelessly draped in the top-right corner, is interesting too, underscoring its function to shape both the economic realities and ecosystems of 17th-century coastal life in the Netherlands. Curator: It presents a fascinating confluence of art, society, and nature, viewed through the discerning eye, as we examine the line work with its intrinsic compositional rhythm that pulls the gaze across the still composition of scales and fishing tools. Editor: And viewed with my perspective, by recognizing the silent narratives of the Dutch fishing communities and markets implied within each careful and textured stroke of this Flamen etching. I am intrigued.

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