Moret sur Loing 1892

Alfred Sisley made this artwork, "Moret sur Loing," using pastel on paper. It’s a rather unassuming choice of material. Pastel sticks are made of pure pigment mixed with a binder, easily handheld and rubbed onto the paper's surface. The softness of pastel allowed Sisley to capture the shimmering surface of the Loing river. Notice how the strokes blend almost imperceptibly, creating a hazy atmosphere. He builds up layers of colour, capturing a fleeting moment. This direct application connects us to the artist’s hand, tracing his movements as he translates the scene before him. Pastel's accessibility also has a social dimension; it was a popular medium for amateurs and professionals alike. Sisley’s choice acknowledges the democratization of art and the rise of a consumer culture, which made materials like this more widely available. By embracing these qualities, Sisley elevated pastel beyond its reputation, proving it could be a medium for serious artistic expression.