Clock, Eight Day c. 1936

Curator: Here we have "Clock, Eight Day," created around 1936 by Walter W. Jennings. It's a watercolor and colored pencil drawing on paper. What are your initial thoughts? Editor: Strikingly symmetrical and ornate! There's a certain boldness in the composition. The colors, though limited, give a sense of weight and purpose to the object. Curator: It’s fascinating how Jennings combined the decorative arts aesthetic with elements of American patriotism during the interwar period. Think of the materials available and the economic context; this piece speaks volumes about resourcefulness. Editor: The repetitive carvings, balanced composition and bold lines lend it almost a ritualistic air. I'm drawn to the contrasting geometric vs. organic patterns—the clock's face against the naturalistic carvings of vines and foliage. It has almost constructivist traits. Curator: Notice the company name inscribed on the clock face, "Bishop & Bradley, Watertown". That clock maker probably commissioned the drawing as a potential design, pointing to the relationship between art, commerce and consumerism. What does the portrait surrounded by flags bring up for you? Editor: Its insertion feels unexpected! It’s almost like a relic inserted between the clock and eagle, creating a strong feeling of the subject's personal relationship to both nationhood and time. Curator: That section adds layers. It bridges timekeeping with an aspiration for progress that defines nation-building through the iconography surrounding the figure at the bottom. Editor: Indeed. What initially struck me as mere decoration becomes laden with social commentary. It's remarkable how an object we generally take for granted is turned into a symbol with a voice. Curator: Exactly! And in recognizing the interconnectedness of production and form we gain a far richer perspective, recognizing artistic expression isn't separate from lived experiences or societal aspirations. Editor: Absolutely. By understanding these dual approaches, the design yields further understanding. Curator: This detailed rendering certainly has an impact beyond its decorative qualities. Editor: Absolutely!