pattern heavy
flower
geometric pattern
pattern design
ethnic pattern
repetition of pattern
vertical pattern
united-states
pattern repetition
textile design
layered pattern
combined pattern
Dimensions 83 1/2 x 75 1/2 in. (212.1 x 191.8 cm)
This coverlet was woven in 1839 by Harry Tyler, probably a professional weaver, in Jefferson County, New York. Its material is humble – cotton, industrially spun, dyed, and woven. But the pattern is anything but. This piece shows the impact of the Jacquard loom, which automated complex weaving. The overall impression is of radial symmetry. Each starburst is densely packed with motifs, suggesting the weaver was showing off the loom’s potential, and his own skill. Looking closely, you can see the image of a lion, and the inscription 'Theresa Weaver, 1839.' This was likely a special commission, a presentation piece to mark an important event. Objects like this challenge our assumptions about what counts as art. It’s not a painting or sculpture, but through its complex patterns and connection to personal histories, it offers a rich aesthetic experience. It also speaks volumes about the mechanization of labor in the 19th century, and how this impacted people’s lives.
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