The Convent of Beguines of Bruges 19th-20th century

Editor: Here we have R. A. Dobois' "The Convent of Beguines of Bruges" from the Harvard Art Museums. It has a very graphic quality. What strikes you about the formal elements of this work? Curator: The stark contrast immediately draws the eye, doesn't it? Observe how Dobois employs line to delineate form, creating a near-absence of tonal gradations. Note the pattern of the cobblestones and the rooftops versus the flat planes of the walls. Editor: Yes, I see that the artist emphasizes the texture of the roofs and cobblestones. Curator: Indeed. Consider, too, the strategic use of negative space to create depth and shadow within the architectural forms. It’s a study in geometric abstraction, wouldn't you agree? Editor: It really does focus on the interplay of light and shadow. Thanks! Curator: My pleasure.