Vidua Senensis in Hetruria (Widow of Siena in Tuscany) from H. Weigel's Trachtenbuch, plate 51 from Woodcuts from Books of the XVI Century c. 1577 - 1937

Jost Amman created this woodcut, titled "Vidua Senensis in Hetruria (Widow of Siena in Tuscany)," as part of H. Weigel's Trachtenbuch. The print presents a striking study in contrasts, primarily achieved through line and form. The figure's clothing, especially the skirt, is rendered with dense, vertical lines creating a strong sense of volume and texture. This contrasts with the smoother rendering of the upper body and face. The widow's somber appearance, framed by the heavy drapery, evokes a sense of solemnity. The composition divides the figure into distinct geometric shapes, with the conical skirt grounding the image, while the flowing lines of the veil soften the overall structure. This interplay reflects the social and sartorial codes of the time, inviting us to consider how clothing can signify status and emotion. The artist uses formal elements to explore themes of identity, gender, and cultural representation. Ultimately, the print serves as a window into the past, offering a glimpse into the visual language of the 16th century.