Flowers c. 1861 - 1863
koikawashozan
aged paper
toned paper
book
sketch book
japan
personal sketchbook
coloured pencil
sketchbook drawing
watercolour bleed
watercolour illustration
sketchbook art
watercolor
Koikawa Shōzan's "Flowers" (c. 1861 - 1863) is a captivating example of *ukiyo-e*, a Japanese art movement that flourished from the 17th to the 19th centuries. The artwork depicts a charming scene of a cat on a wooden bridge with vibrant, blossoming trees in the background. The cat, with its playful demeanor, adds a sense of tranquility to the overall composition. The vivid colors and fine lines are characteristic of *ukiyo-e*, showcasing the artist's masterful skill. This small-scale work is an excellent example of *surimono*, a special type of print that was commissioned by wealthy patrons and often featured beautiful and evocative imagery.
Comments
The Tale of Genji, arguably the most famous Japanese novel, was written by Murasaki Shikibu, an early eleventh century noblewoman. The story centers around Hikaru Genji, the handsome son of an Emperor, and his romantic life. The tale’s implicit eroticism provided fertile ground for explicitly erotic adaptaions. In the late Edo period, writer Ryūtei Tanehiko wrote a parody of the tale titled A Fraudulent Murasaki’s Rustic Genji (1829), which set off a string of Genji-inspired erotic illustrated books. Kagetsu Genji is an example of an erotic adaptation of the Tale of Genji. The first volume covers the plot in chapters 1 (“The Paulownia Pavilion”) to 11 (“Falling Flowers”); the second from chapters 12 (“Suma”) to 23 (The Warbler’s First Song”); and the third from chapters 24 (Butterflies) to 35 (“Spring Shoots II”). The remaining 18 chapters are not included. Each volume includes 12 pages of illustrations depicting men and women in various positions of sexual intercourse, framed by red and purple. A shell-shaped cartouche at the top right of each page contains a poem from Genji, connecting the erotic rendering back to the original text. Following the illustrations, 18 to 22 pages of text follow. Readers were thus visually and intellectually stimulated.
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