drawing, print, graphite
pencil drawn
drawing
charcoal drawing
pencil drawing
graphite
cityscape
realism
Dimensions: image: 307 x 412 mm sheet: 405 x 580 mm
Copyright: National Gallery of Art: CC0 1.0
Editor: This is "New School Library," a graphite and pencil drawing, dating from around 1939 by Carlos Anderson. Looking at it, I’m immediately struck by how… distant it feels. Like peeking into a memory. The stark angles and muted tones give it such a removed, almost voyeuristic quality. What catches your eye when you look at this piece? Curator: Well, for starters, you're right about the distance. It's like we're hovering above the scene, which gives it a feeling of both observation and isolation. You feel *almost* invisible, don't you? Anderson really knew how to set a scene. Consider the way the light falls— those bright rectangles on the tables—punctuating the sea of students absorbed in study. It’s the kind of light that begs us to consider: what does 'knowledge' illuminate? Editor: That’s interesting…knowledge illuminating, because to me, it's shadowy and still, yet the bright desks invite you to reflect on the figures studying. Do you see anything specific connecting the artistic style and subject matter to the historical context, perhaps the social and intellectual climate of the late 1930s? Curator: Absolutely! Think about it – the 1930s, the Depression era, education becoming even *more* vital as a potential means of social mobility, and it’s right before the escalation into World War Two. And the style… it reminds me almost of a gritty movie still from the same era, like an early Film Noir… Do you notice any subtle anxiety there, any feeling that even knowledge has its limits? Editor: It does now that you point it out. Seeing the light, which represents "knowledge," with so much stark contrast actually illuminates the isolation and anxiety experienced in these trying times, because the knowledge almost becomes an alienating property. Curator: Exactly! Maybe Anderson saw that light of education offering salvation but also a strange detachment. Maybe art encourages seeing that life is an ungraspable dance of shadows *and* light! Thanks for those points, I'm off to consider my assumptions... Editor: A dance, indeed. That’s given me a new perspective. Thank you for this insightful observation!
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