Tree; verso: Head and Torso of an Écorché seen from Behind c. 1758

Editor: This drawing, "Tree; verso: Head and Torso of an Écorché seen from Behind," by Jean-Honoré Fragonard, looks like a quick study in graphite. The lines are so light, creating a sense of movement. What do you see in the composition, particularly in its mark-making? Curator: Note the contrasting textures achieved through varied line weights. The density of marks to the left suggests a form taking shape, while the sparseness to the right creates negative space. Consider how this interplay of line and void engages the viewer’s eye. Editor: So, it’s less about representing a specific tree and more about exploring the possibilities of line itself? Curator: Precisely. Fragonard uses the subject of the tree as a vehicle for formal investigation. The verso adds another layer, suggesting a concern with anatomical structure mirrored in the arboreal form. Editor: I hadn't considered that! Thanks for pointing out the structural similarities. Curator: My pleasure.