Portret van een jongeman by C. van der Aa & J. Chrispijn

Portret van een jongeman 1884 - 1895

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Dimensions: height 82 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, another face from the past. This gelatin-silver print, dating from around 1884 to 1895, is a portrait of a young man. The photographers, C. van der Aa and J. Chrispijn, captured a glimpse of a life from over a century ago. Editor: It’s rather striking, isn’t it? Melancholy, but in a very quiet, introspective way. There's an interesting contrast between the crisp detail in his face and clothing and the soft, almost dreamlike background. It’s like capturing a fleeting thought. Curator: Indeed. The framing itself contributes. That oval shape, it focuses us on him, isolating him in time, in a sense. It evokes that romantic notion of freezing a moment. What do you think his expression conveys? Editor: It's difficult to read completely, isn't it? There's a certain vulnerability in his eyes, but also a firmness in his jawline. He’s poised between youth and adulthood, caught between dreams and duty. He’s a riddle wrapped in a three-piece suit. Curator: A very astute observation. I am also curious about his attire. The tie, jacket, even the way he wears his hair, probably carry social cues of the time period. It presents a glimpse into the societal context. It speaks to an almost bourgeois sensibility. Editor: Precisely. The suit becomes almost a costume, a signifier. Yet within that costume, he maintains a sense of individuality. Maybe the slightly unkempt hair is his rebellion, a small but definite assertion of self. Curator: Maybe. Or perhaps it’s the artistic eye of the photographer coaxing out a certain personality from a relatively reserved individual. It is possible the photographers sought that detail as they were known to photograph artists. Editor: Either way, the symbolism, intended or otherwise, draws us in. We are compelled to look deeper, to wonder about his story, his life. That, I suppose, is the power of a well-crafted portrait. Curator: It invites a sense of empathy. It makes you wonder what stories hide behind his gaze and in general about the narratives lost to the era gone by. Editor: Exactly! You just want to dive in headfirst.

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