A Woman Doing Housework, Plate 5 from "Five Feminine Occupations" 1643 - 1655
drawing, print
drawing
dutch-golden-age
genre-painting
Dimensions Plate: 8 7/16 × 6 11/16 in. (21.5 × 17 cm) Sheet: 11 7/16 × 8 5/16 in. (29.1 × 21.1 cm)
Curator: Welcome. Today we are looking at a print called "A Woman Doing Housework, Plate 5 from 'Five Feminine Occupations'," created sometime between 1643 and 1655 by Geertruydt Roghman. Editor: My first thought is how starkly domestic it is. The composition seems very self-contained, focused completely on this intimate, almost claustrophobic, interior. Curator: Indeed. Roghman has presented a masterclass in rendering texture. Note the meticulous cross-hatching that defines the metal cookware against the smooth planes of the woodwork, achieving a fascinating contrast of light and shadow. Editor: Absolutely, and this focus on daily life reflected broader cultural shifts in the Dutch Golden Age. The rising middle class sought art that depicted their own world, their own values. Roghman is offering a perspective of women within the household economy. Curator: Precisely, although this depiction begs certain questions about gender roles through formalist avenues. Observe the window to the upper-right corner—is this barred division of external space and the heavy shading implying more restrictive conditions within? It serves as a very visible constraint. Editor: It’s intriguing to consider the ways in which economic factors influence artistic themes and also female representation. Prints such as this circulated widely, shaping ideas of female identity and domestic labor during this historical period. Curator: Notice as well how the vanishing point sits right on her back while washing, emphasizing how she supports her body with two hands, pushing the image's conceptual symbolism right into a spatial context. Editor: Perhaps Roghman's print compels us to reconsider what and who is rendered visible—and invisible—within dominant narratives about women in domestic space throughout time. Curator: Precisely, so let’s consider that this small print provides a substantial demonstration of art as historical and symbolic object. Editor: Absolutely—a conversation starter!
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