Dejection of Noah from mountain Ararat by Ivan Konstantinovich Aivazovsky

Dejection of Noah from mountain Ararat 1889

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National Gallery of Armenia, Yerevan, Armenia

Dimensions: 130 x 215 cm

Copyright: Public domain

Ivan Aivazovsky painted "Dejection of Noah from Mount Ararat" in Armenia, though the date of its creation is unknown. In it, we see Noah and his family descending from the mountain, an event of symbolic importance in Armenian culture. Aivazovsky was Armenian, and Mount Ararat itself holds deep significance. Though now located in Turkey, it’s a national symbol of Armenia, often seen as the resting place of Noah’s Ark. This image connects Armenia to the story of civilization's rebirth, yet also highlights the nation's historical displacement. The painting can be seen as a statement on Armenian identity and resilience, made during a time of cultural and political tension under Russian rule. Was Aivazovsky simply illustrating a biblical story, or was he also making a subtle comment on the Armenian people's perseverance and connection to their ancestral lands? By examining the historical context and cultural symbols, we can better understand the rich layers of meaning embedded in this work.

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