Jackson Falls, New Hampshire 19th-20th century

Curator: Denman Waldo Ross brings us into nature with his watercolor, Jackson Falls, New Hampshire. It's a small, intimate work. Editor: The first thing I notice is how tranquil it feels, even though it depicts rushing water. The palette feels very earthy. Curator: Indeed, Ross employs layering here, especially in the way the water flows over the rocks, creating a sense of depth through the contrasting colors. We can interpret his structural use of layering as a signifier for the importance of nature's strata. Editor: I see it a little differently. To me, the choice of watercolors feels like Ross wanted to capture the fleeting essence of the place. New Hampshire held a lot of historical weight for early American settlers, who sought a peaceful life. Curator: Certainly, that is plausible. What I appreciate most is the formal balance he achieves through the composition’s horizontality and the subtle gradations of tone. Editor: Yes, and thinking about the historical context reminds us that the idea of 'wilderness' itself is a construct, often erasing the Indigenous presence in these landscapes. Curator: A vital point. It’s beneficial to consider all the different elements at play. Editor: Absolutely, and in thinking about this work, I'm drawn to how it makes me question our relationship with nature.