Pitcher (Amberina) 1935 - 1942

George Yanosko made this watercolour painting of an Amberina pitcher sometime in the 20th century. The light in this piece is really something, isn't it? See how the watercolor dances and pools, capturing the way light refracts through the glass? The painting becomes a meditation on seeing, on how our eyes perceive the world. Look closely, and you'll notice the paper peeking through the washes of color, creating a gentle texture that mimics the subtle imperfections of the glass itself. It’s not about perfection, but about capturing a feeling, an atmosphere. For me, the way Yanosko handles the transition from the amber tones at the top to the deeper reds below is particularly striking. It’s like watching the sunset, a gradual shift that's both calming and a little melancholic. It reminds me of Morandi's still lifes. Both artists have a similar interest in humble, everyday objects, transforming them into something profound through careful observation and mark making. It's a reminder that art isn't just about what you see, but how you see it.