Dood van Maria Magdalena 1682 - 1740

Giuseppe Antonio Caccioli created this small etching of the Death of Mary Magdalene sometime between the late 17th and early 18th centuries. The original drawing was made by Carlo Cignani. During this period, the Catholic Church emphasized the role of female saints, especially repentant figures like Mary Magdalene, as models of piety and redemption. The image shows Mary Magdalene being supported by angels in her final moments, a visual representation of spiritual transcendence. Caccioli's choice to depict this scene reflects the cultural obsession of the time with women's spirituality. The etching invites viewers to contemplate themes of mortality, repentance, and the promise of divine mercy. The scene is intimate, but it is also meant to inspire awe and reverence. Caccioli’s piece underscores how religious art often serves as a focal point for emotional and spiritual engagement, encouraging viewers to reflect on their own beliefs.