Bidsprinkhaan 1900 - 1936

Ohara Koson made 'Bidsprinkhaan,' which translates to 'Praying Mantis', using woodblock printmaking techniques. The subtle gradations of tone and colour reveal Koson’s mastery of the medium. The insect subject is delicately rendered. Thin, precise lines describe the mantis's spindly legs and angular body, while softer, blended tones give form to the moon and foliage. What a process! Notice how the mantis almost blends into the leafy branch. The translucent quality of the inks makes the scene feel dreamlike. The moon glows softly, and the mantis appears poised. The whole scene feels incredibly poised, as if nature is holding its breath. The composition feels related to earlier traditions of Japanese Ukiyo-e prints, particularly those depicting the natural world but perhaps also suggests art nouveau. Koson’s prints often featured birds and flowers, demonstrating a keen observation of the natural world. His work embraces a sense of quiet contemplation, inviting us to pause and appreciate the beauty of the everyday. And, really, what more can you ask of art than that?