Lettera 11 1979

Curator: Here we have Dadamaino's "Lettera 11" from 1979. At first glance, its subtle monochromatic nature may seem like a subdued statement in conceptual art. Editor: My initial feeling is one of delicate intensity, like a whispered mantra. The repetition pulls you in, demanding closer attention to its subtle shifts. Curator: Exactly. Dadamaino’s method hinges on this tension between rigid system and human imperfection. Think about the socio-political landscape of Italy during the late '70s. There was a tension and the rigidity and planned structure imposed. This is mirrored by the chosen materials as well: we see the application of ink on layered, transparent plastic sheets. Editor: It's interesting you bring up material. To me, the translucence speaks of ephemerality and layering – almost like thoughts building upon one another. Are we meant to find meaning in the tiny variations in those imprinted forms? Curator: Potentially, although, her art often deliberately frustrates attempts at extracting singular meaning, instead foregrounding how meaning is made. In effect it brings forth the question: what is to be read here? There are implications about both material and intellectual forms. We should perhaps think of how she is using and transforming ready made components in to something of a new language form. Editor: The methodical production you mention makes me think of a kind of meditative practice. And those almost imperceptible differences in each glyph remind me that it is humans doing the work, no printing press here! Do you see "Lettera 11" as inherently optimistic or pessimistic? Curator: In the historical setting, "Lettera 11" can be seen as cautious perhaps. Rather than a hopeful utopia the subtle work on geometric, minimalistic forms, points towards language as a restrictive means, something to take seriously and be ever aware of. What does it signal for you, on closer looking? Editor: Now that you highlight the restraints, I feel the tension even more acutely. Like the beauty emerging in a tiny bloom amidst a field of asphalt. In that context the simple geometry and pattern feels ever so resilient. Curator: Indeed, it has a staying power through both material construction and implied cultural and social reflection. Editor: A gem, it really opens a complex can of worms.